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Every morning before work, I measure the Queen of the Andes. I’ve nicknamed her Nova because her trunk is a ball of spikes that reminds me of a supernova in slow motion, an explosion of leaves pointing in two hundred and three directions from the core of the bromeliad (the largest of her species—and the last). For almost thirty years, Nova has been growing, her presence in the garden expanding, like a true queen’s.
Take a deep breath. Hold on to something. When you open that door, it’s going to feel like you’re dying, but in the best possible way. You’ve done the homework. Studied the colorful maps, the security schedule, the camera placement. You’re rusty, but ready. You zip your jumpsuit up to the base of your neck and tighten your backpack. You’re in a crowded transit hub in the aft section of the ship. Huge transparent windows line the cavernous space.
The most beautiful boy you have ever seen in your life is hot-wiring a spaceship. It’s an objectively unsexy spaceship, insofar as a spaceship can be unsexy—a six-seater built like a 2008 Honda Odyssey, a car model you’re only aware of because it continues to appear in memes. The boy is decidedly not unsexy, though. His name is Eddie, he’s your xenobiology lab partner, and he’s currently bent over the spaceship’s popped hood.
Crunches and shrieks buffeted the Magellan LLC smartship as it plunged into Enceladus’s kilometers-thick ice crust, making their way to the subsurface ocean and the rival LuxeSpace corporation’s station situated there. Warning signals flashed through Jarrell and his fellow shipminds’ readouts, but they followed their orders and continued inward. They’d long since learned to ignore such dangers—the digitized brains of former human corporate-soldiers that controlled smartships could afford to take risks and go places traditionally-crewed spaceships wouldn’t dare.
When Shiva shattered the time-stream, he was in love. Well, maybe he didn’t shatter it per se—more like twisted it into a knot. But there were too many “Vassiliev invariants” and “nugatory crossings” in the mathematics of it that Shiva didn’t understand, so he preferred to think about it in terms of breaking rather than knotting. Besides, he was named after a god of destruction, so “shattered” fit. Poetic license and all that. When Shiva shattered the time-stream, he was heartbroken.
My sister Sera was twelve standard years old when our parents confined her to our family habitat. They kept her there for over a year, and then they died far from home (expedition, landslide). I’ll never know if they were seeking a cure for Sera, or a way to protect the world from her. They must have died mid-morning, but I didn’t learn about it until I left Sera’s side to make lunch. The habitat’s weak AI played their pre-recorded message once I was alone.
For the last day we have together, I thought we could go back to Io, where I saw you for the first time. Her volcanoes will be reflected on your solar array once again. We will bathe in her Plasma Torus until our sensors tingle so hard we can’t take it any more. Then I will make a bouquet for you to carry on your way home: sulfur for passion, oxygen for remembrance, and sodium, for good luck.
In the eternity of star-ache where space coils around matter like a wounded animal, I hang in agony. Three supermassive black holes lurk in the corner of my hearing, each in a different corner of the galaxy cluster. Triangulation points. The calculation is redone every 4.5 microseconds, balm and torture both to my space-stretched mind. The ship’s computer tugs ceaselessly at my fragile gray matter.
I understand why you became a ladybug. The ladybug is one of Earth’s jewels. Shapeshifters from all across the universe enjoy the ladybug form as a gentle introduction to our planet’s native transformative experiences. I’ve heard many a shapeshifter rhapsodize about the pleasures of tearing yourself free from the carapace of a ladybug’s instar-self not once but three times, with pupa and imago forms still to come. One visitor I assisted spent seven years as a ladybug.
What I observed was a giant anthropomorphized ribbon microphone, the type one might imagine standing in front of a radio announcer and his studio audience, selling soap in the dirty 1930s. It sauntered lazily over to an overstuffed red couch, walking on stick-figure legs that looked like they’d been hand-drawn by a young child. The large red couch sat next to a five-foot tall elephant ear plant.
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