When I was a girl, my sister Susanna and I had to get up early whether we were rested or not. In winter particularly, our day often began before sunrise; and because our dormitory was in the south wing of the house, with narrow windows facing the central courtyard and thus facing north, the lurid, pinkish light sometimes was hours late in arriving and we would wash and dress while we were still uncertain whether we were awake or not. Groggy and only half coherent, we would tell each other our dreams.

Billy and Principal Andrew Alty went all the way back to kindergarten, when Billy had convinced Mitchell McCoy that the green fingerpaint was Shamrock Shake, and watched with glee as the little babyface had scarfed it all down. Billy knew that Andrew Alty knew his style: refined, controlled, and above all, personal. Billy never would’ve dropped a dozen M-80s down the girls’ toilet. His stuff was always one-on-one, and possessed of a degree of charm and subtlety. But nevertheless, here was Billy, along with the sixth-grade bumper-crop of nasty-come-latelies, called on the carpet in front of Andrew Alty’s massive desk.

Sharon’s head itched from all the fake brain implants, and the massive cybernetic headdress was giving her a cramp in her neck. But the worst discomfort of all was having to pretend to be the loyal servant of a giant space blob. Pretending to be a thing instead of a person. This was bringing back all sorts of ugly memories from her childhood.

I can create any scenario I want for Dante, any story, any setting—anything. I have total control over his universe. Today he inhabits a grand mansion. The design is mostly mid-century modern, with just a hint of gothic whimsy. Each room is crafted to maximize luxury and pleasure, pleasure that can exist beyond the laws governing the material universe. It is a miracle, a place of wonder and dreams, a place where anything may happen.

The Death of Science Fiction had remained a perennial, if tiresome, subject for reviewers of SF novels for decades. In each case, the supposed flatline of the genre—whether in terms of quality, viability, or intrepidity—has leapt back to gloriously resolute life, producing enough notable books in each surge of the commercial ECG that one must finally consider another oneself amid a de facto deferral of the end.