Your deathless heart spasms. Once. Twice. You suck in a long, rattling gasp, and twist over the decanting table, great hacking coughs. Someone thumps your back. “Welcome back, boyo,” Media & Talent Production Coordinator Kayn says. “They got some great footage out of your death. Viewership tripled for the episode.” “Damn,” you wheeze. “Any chance I’m out?” Goosebumps pimple across your cold skin. You’re so sick of the Talent Decanting Room. You hope for finales. You hope for your exit stage left. “Nah,” Kayn says. “You’re polling too well with the sixteen to twenty-four demographic. The execs want to keep you in the cast roster.”

This is the fifty-seventh time Ship has tried to stop Zander from entering the cellar. By now, Ship simply watches over the feed as the mission gets underway. Zander and the other members of their crew open the front door and marvel at the lack of dust, the trickle of the entry hall fountain. “It’s as if someone still lives here,” Kala says. As the crew’s historian, she is endlessly looking for ways to insert herself into the past. “Like they just stepped out and will come back any moment.” That’s from Eun-ja, who spends xir off-shifts watching holos.

The cab slices through the city, one small fish of a humming black shoal, while Henrik watches ads in his rain-flecked window. Today he sees carnal red sociomachines, spine-mounted, that spray pheromones and calculate human interaction. A black-and-yellow swamp whirling through space. A man screaming no at the moment of orgasm. The product is not always clear, but the ads are always effective. He can feel money slivering off his account and slithering into the ether. The cab’s vestigial partition, now a slab of flickering smartglass, shows him that he has invested in a dozen new corporate splinters.