This is set in the same world as my short story “Amaryllis” (also published on Lightspeed) and my Philip K Dick Award-winning novel Bannerless. In fact, it features the same main character as Bannerless. I love writing about Enid, and this setting still has lots of corners I haven’t explored. Short fiction is a good way to do that. One of the questions I always wanted to tackle: what are other parts of the country like? What other technology might have survived elsewhere? What happens when those cultures meet?

You might be able to tell that Granny Weatherwax from Terry Pratchett’s Discworld series is a big inspiration for this story. They were probably my introduction to the “grumpy but helpful witch” archetype and I really wanted to work with that type of character. The idea of “twisting your wishes” is also an old one; I wanted to give my own spin to it. So this is sort of a story in which I play with older forms. But I obviously wanted to make it a bit more gay.

Widener is a real library, and a really weird one in many ways, although renovations since my undergraduate days have tidied up things like the passageway that literally went out a window. I’m a folklorist by training and inclination, so it wasn’t hard to take the structural oddities and graft on some additional weirdness.

This really happened to me! But without the monsters. When I was ten my father got in a bad motorcycle accident, and my mom had to rush up to Albany Medical and left us in the care of family friends who were significantly wealthier than us. It was terrifying (and fascinating), and the scars on my psyche festered into this story after about thirty-plus years.