Nonfiction
Media Review: March 2019
Carrie Vaughn dives into steampunk to review the film adaptation of Philip Reeve’s Mortal Engines.
Carrie Vaughn dives into steampunk to review the film adaptation of Philip Reeve’s Mortal Engines.
I love writing stories that draw on Indian mythology yet turn the tale around in some unexpected way. In this story, it’s especially fun because I got to write a chase sequence and a battle both at once! So they’re literally chasing after Vrath and attacking him from behind as they try to catch him (or destroy him). That was really fun to write. Chariots and magic arrows and a demi-god who can’t be killed but can be wounded and hurt.
Reviewer Arley Sorg takes a look at A Memory Called Empire, by Arkady Martine; Ragged Alice, by Gareth Powell; and New Suns: Original Speculative Fiction by People of Color, a new anthology edited by Nisi Shawl.
For a long time I have wanted to write a story about space exploration for the rest of us—that is, those of us who are not fighter pilots, crazy wealthy, or even physically fit. So far, space has been reserved for elites, and as long as we insist on sending wetware up there, it’s going to stay that way. But there are other ways! We don’t have to be passive observers of other peoples’ heroism, even in the short run.
Be sure to read the editorial to keep up with everything new and exciting—and for a rundown of this month’s terrific content.
Well, it hadn’t occurred to me before, but this is definitely a spiritual sequel of sorts to a story I wrote when I was seventeen, the first line of which was, “Once we invented cars which ran on sadness, all our problems were solved.” There’s more I could explore about physical belongings as vessels for emotion and about how our feelings, even in this world, affect the world around us in complicated ways.
Lilliam Rivera is an award-winning writer, and the author of the young adult novels Dealing in Dreams, forthcoming from Simon & Schuster on March 5, 2019, and The Education of Margot Sanchez, available now in bookstores everywhere. Her work has appeared in Elle, Nightmare Magazine, Tin House, and The Magazine of Fantasy & Science Fiction, to name a few. She lives in Los Angeles.
It’s also important to remember that there were plenty of historical women at the time who bucked tradition and told people to get stuffed, by traveling the world, practicing medicine, doing good science, and so on. I think it’s Harry’s position as a member of the royal family that restricts her even more than her identity as a woman. Still, the real Princess Maud of Wales was no wilting flower.
How do Netflix’s original films stack up against their television series? Reviewer Christopher East shares some of his favorites from the last year or so.
Jeel plays a very prominent role in Upon A Burning Throne and the rest of the Burnt Empire series. She is, in fact, the closest thing to a God Supreme in that particular world. (At least for now. Who among us mere mortals can truly know which other Gods may lie lurking in the celestial cosmos?) She has great power and influence, since she governs all water bodies in the world of Arthaloka.