Editorial
Editorial: June 2019
Be sure to check out the editorial for a run-down of this month’s content, plus all our news and updates.
Be sure to check out the editorial for a run-down of this month’s content, plus all our news and updates.
Space exploration conjures up awe and excitement, but it’s also about making hard choices, especially once we leave the solar system. Because of my human rights background, I was interested in knowing what our absolute red lines would be if we were trying to save our species from extinction. What would we agree never to do in deep space? What line would we never cross? So I told the story from the point of view of people who created the line, and those who were living on the other side of it. Here on Earth we decided that we would not tolerate certain acts. We had also agreed not to allow any one country to claim property in space.
Ashok K. Banker is the author of more than sixty books, including the internationally acclaimed Ramayana Series. His works have all been bestsellers in India and have sold around the world. He is also the author of many short stories, including the Legends of the Burnt Empire series (published in Lightspeed), which takes place in the same world as Upon a Burning Throne. He lives in Los Angeles and Mumbai.
I have always loved the obscure superheroes who exist at the fringes of the Marvel and DC Universes, taking care of their little corners of creation—and indeed I note that Marvel’s Luke Cage, Daredevil, and Spider-Man are very much within this tradition, despite forces that sometimes draw them to more universal concerns. I was a deep fan of Squirrel Girl before she hit the big time, and when writing Spider-Man I did my little bit—unappreciated—to expand the fame of Razorback, the hero whose helmet is a giant pig head.
This month, reviewer Christopher East compares the novel and the two animated adaptations of the fantasy classic, Watership Down.
My father woke me up on April 12, 1981 to watch the very first Space Shuttle launch. I remember how it affected me and filled me with such pride and awe that we as a species were able to do that, to send human beings into space on a plane atop a column of fire. Fast forward to today, when we’re making leaps and bounds in space technology, but the public has mostly lost interest in it, at least it seems that way from my limited vantage point. And I thought, what would be better to grab the public’s imagination than a pop star performing songs in space?
This month, LaShawn M. Wanak will be reviewing The GamesHouse by Claire North, Middlegame by Seanan McGuire, War by Michelle West, and Terminal Uprising by Jim C. Hines.
The experience of refugees the world over is sadly the same: Fleeing from conflict and persecution, all they want is safety for themselves and their children—a chance at a normal life, such as you and I might take for granted. As of 2018, there were over sixty-eight million displaced people in the world. A “zero-tolerance” policy essentially means damning them and their dreams of a safe home, far from violence. So many people the world over lack the most basic necessities: clean water, adequate food, a roof over their heads that won’t get blown up during the night.
Be sure to check out the editorial for a rundown of this month’s terrific content, plus all our news and updates.
This was written for a gorgeous illustration by Julie Dillon, but the sea turtles paired with the second moon took a while to work themselves out in my head, so it took a few months of worldbuilding to discover the story I wanted to write: One about a lesbian relationship wherein, during a separation, both partners wonder whether it might be better for the other if they weren’t dating. As with so many ideas that become finished pieces, that initial idea got the writing started, but another aspect of the story eventually took center stage.It took a while for me to find it though.