Nonfiction
Book Reviews: August 2016
This month, reviewer Sunil Patel takes a look at Indra Das’ The Devourers, Sarah Kuhn’s Heroine Complex, Laura Lam’s False Hearts, and Emily Skrutskie’s The Abyss Surrounds Us.
This month, reviewer Sunil Patel takes a look at Indra Das’ The Devourers, Sarah Kuhn’s Heroine Complex, Laura Lam’s False Hearts, and Emily Skrutskie’s The Abyss Surrounds Us.
Language doesn’t come to me. I choose it, carefully, to reflect the kind of story I’m writing. I went to a very old-fashioned school, back in the day, where we were taught to write by copying models of classical prose. Somewhere in my papers are my Addison and Steele essay, my Francis Bacon essay, my A.A. Milne story, my E.R. Edison story, and others I have thankfully forgotten.
I am absolutely a people watcher, and one of the best places to do it is open-air markets. I find that crowds make people a bit grumpy, unless the crowd has gathered around food. Then the celebratory atmosphere overwhelms the anxiety of being pressed in shoulder-to-shoulder with strangers. You don’t see a lot of frowning people at an open-air market unless the food’s run out.
“Safety Lights are for Dudes!” I had no idea what to expect going into this new Ghostbusters movie. The vitriol over it during the previous year has been exhausting. Never have I wanted so badly for a movie to be good, but had so little sign as to whether it actually would be. I’m happy […]
Almost every subgenre exists in two forms: the purest one, which is just one stage removed from real life, and the one based on prior iterations that is just love for the genre, feeding back on itself. Thus, we have crime fiction that really is based on the culture of illegality and human corruption, and crime fiction that just boils the tropes.
The ways that various cultures define civilization and humanity have always interested me. What if, for these people, the definition of civilization was people who could commit terrible atrocities? What if they believed that goading a people into destroying itself was actually helping them become more civilized? Looking out at the history of colonialism here in the U.S., that definition isn’t that far from the mindset of many European colonizers.
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it’s the lack of humanity in the human psyche that haunts me. The hypocrisy. How people as a group can take something like tolerance and contort it into a new form of intolerance and conformity. The way humanity can justify any kind of evil. But what I like to believe, and what I do firmly hold to, is that in us all we do have the ability to remain honorable, no matter what has been done to us.
Ava’s ADD is a side effect of a completely science fictional condition: her acute empathy for the feelings of animals, which surpasses anything I’ve ever seen in real life—and that natural ability is then amplified through the use of surgically implanted nanites. That being said, I did do research on a number of topics to help lend an air of credibility to Ava’s condition and symptoms.
Alex Garland’s first novel The Beach was adapted into a feature film starring Leonardo DiCaprio. Garland then worked with the director of that film, Danny Boyle, on the movies 28 Days Later and Sunshine, for which Garland wrote the screenplays. He also wrote the screenplays for the recent films Never Let Me Go, based on the novel by Kazuo Ishiguro, and Dredd, based on the British comic book character Judge Dredd. Garland also wrote and directed the new science fiction thriller Ex Machina.