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Let me put it one way—telling the Mysteries for you like beads, simply and straightforwardly—bicycle gears, pink foam, budget sheets, the itch of stars, presumption in a limousine, the dance of plasma, prizes, revisions, giggles, memories, Instruction, and necessary reticences. Have you understood yet?
The woman’s dress was perfectly correct. Indeed, it, and she, would have been utterly unremarkable, were it not for the bird perched upon her shoulder, black-feathered, eyes with the seasick luminosity of moonstones. “Vulgar,” Sofie said to me under her breath. “Why go out in society at all, if you are going to appear like that? No one wishes to have a party disturbed by such reminders of grief and mortality.”
Brenneker, the lyre spider, lived inside a lute, a medieval instrument resembling a pear-shaped guitar. The lute was an inexpensive copy of one made by an old master and had rose-wood walls and a spruce sounding board. Her home was sparsely furnished, a vast expanse of unfinished wood, a few sound pegs reaching from floor to ceiling like Greek columns, and in one corner, near the small F-shape sound holes, the fantasy of iron-silk thread that was Brenneker’s web.
Lord Knowshire could scarcely contain his emotion. Before him, only a few miles away, gleaming bright in the sunlight, were the red walls of Sah-Harah. In that moment, he forgot the tragic vicissitudes of his journey, forgot the unhappy fate of his companions and the faithlessness of his guides, forgot all but the marvelous sight that lay at last before his eyes. For years he had dreamed of it, repeating the passages from Abu-Abbas engraved in his memory and comparing the Coptic inscriptions of Abydos with the papyrus, two millennia older, discovered in the nameless tomb at Deir-el-Bahari and never fully understood till now.
The trick begins like this: The magician throws an egg up into the air, where it flies — small and white and full of import — up and up, high into the black reaches of the proscenium. We await the descent, holding our breaths, expecting at any moment the crash of slapstick hilarity, exploding like a bomb. But the egg simply vanishes.
Mr. Adam only started to paint late in life, after his retirement. It happened quite unexpectedly. For the first sixty-five years of his life he had never shown any predisposition towards painting, for which he had neither talent nor interest. The arts in general attracted him very little. The only exception might have been music, […]
Once upon a time, my little waffles, far across the pale eastern sands, a baby boy bounced from his mother’s womb into a dark and dangerous world, into a land well full of hardship, turmoil, and empty handball courts. This boy, starting tiny and growing huge, would one day become a legend in the minds of his minions, a hero in the hearts of his hobbledehoys, the fanciest lad of them all: Springheel Jack!
Two-Ton Tony had a hard body, and though Karen knew the facts of life cold and backward by the time she got her chance to push him against a wall, she’d never had anything so sweet. Biceps like boulders, arms to swing on and hips to ride: a body like a playground. She’d held on to him and never quite believed her luck that he let her.
As long as we’re waiting, why don’t I tell you a little story? You look like the kind of man who could profit by it. Don’t take offense, now. I meant that as a compliment. You remind me of me, that’s all. I’m a cowhand myself. Or was, anyway. I’ve been up and down the Chisholm Trail so many times I could walk it blindfolded from Brownsville to Abilene.
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