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So night comes on. I make my own fire, because why would I want to sit at Phillips’s, next to that pinned-down mulberry? Pan-flaps, can you make pan-flaps? Phillips plopped down a bag of fine town flour and gave me a look that said, Bet you can’t. And I’m certainly too important to make them. So pan-flaps I make in his little pan, and some of them I put hot meat-slice on, and some cheese, and some jam, and that will fill us, for a bit.
The process of transforming sunlight into a solid object had been complete about a month when we broke into the lab and stole as much as we could carry. Carrying it was an issue, actually—obviously we were fairly sure it wouldn’t weigh much. But what do you carry sunlight in? Some sort of vacuum flask seemed appropriate. We didn’t want the sunlight to leak, or get contaminated. But would it die, somehow, if we shut it up in the dark?
The waves crash onto the blood-red shore, sounding just like the surf on Earth: a dark rumbling full of power. It’s been seventeen years since we left.
Once, they’d tried using sex to bring down a target. It had seemed a likely plan: Throw an affair in the man’s path, guide events to a compromising situation, and momentum did the rest. That was the theory—a simple thing, not acting against the person directly, but slantwise. But it turned out it was too direct, almost an attack, touching on such vulnerable sensibilities. They’d lost Benton, who had nudged a certain woman into the path of a certain Republic Loyalist Party councilman and died because of it. He’d been so sure it would work.
Here’s how I found out: I was in a bar called Dave’s on East 14th Street. It wasn’t my usual place. I had been dating a woman in Stuyvesant Town. One night after I left, I still wasn’t eager to go home. So on my way I stopped in.
This is a story about a witch. Not the kind you’re thinking of either. She didn’t have a long nose with a wart on it. She didn’t have green skin or long black hair. She didn’t wear a pointed hat or a cape, and she didn’t have a cat, a spider, a rat, or any of those animals that are usually hanging around witches. She didn’t live in a ramshackle house, a gingerbread house, a Victorian house, or a cave.
The world is shaped like the kanji for umbrella, only written so poorly, like my handwriting, that all the parts are out of proportion.
“It’s the best bargain you’ll get in this town,” the faery woman says. She’s standing by a cracked kitchen sink with mold between the tiles, rinsing diced tomatoes and crooked green jalapeño rings. “A heart for a heart. And my heart’s more than what she’s used to, I’ll tell you that. You couldn’t find better if you went door-to-door from every house in the tithe-projects.”
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