Editorial
Editorial: April 2019
Be sure to check out the editorial for all our news, updates, and a rundown of this month’s content.
Be sure to check out the editorial for all our news, updates, and a rundown of this month’s content.
I spent one summer in college doing an archaeological dig at a colonial site in Virginia as part of my minor in Anthropology. The surface of the site was littered with artifacts from the present and recent past—beer bottles and assorted other debris. Scraping away the dirt revealed the foundation of a building long gone, bits of broken pottery and tiny glass beads. Archaeology, to me, has always felt a bit like digging backwards through time, and I’ve been wanting to write a story about it for a long time.
Sarah Pinsker’s short fiction has won the Nebula and Sturgeon Awards, and she’s been a finalist for the Hugo and numerous other awards. Small Beer Press will publish her first collection, Sooner or Later Everything Falls Into the Sea, in March 2019, and her first novel, A Song For A New Day, will be published by Berkley in September. She lives in Baltimore with her wife, in a hundred-year-old house.
Adoption, in a strange way, is a kind of surrogate family-making. I am extremely fortunate to have two parents who love and support me, though this is a complex relationship and one that is far from the status quo. Especially now that I am approaching a societally accepted age for parenting, I am forced to reevaluate these complications with much more vigor than I did when I was younger.
Carrie Vaughn dives into steampunk to review the film adaptation of Philip Reeve’s Mortal Engines.
I love writing stories that draw on Indian mythology yet turn the tale around in some unexpected way. In this story, it’s especially fun because I got to write a chase sequence and a battle both at once! So they’re literally chasing after Vrath and attacking him from behind as they try to catch him (or destroy him). That was really fun to write. Chariots and magic arrows and a demi-god who can’t be killed but can be wounded and hurt.
Reviewer Arley Sorg takes a look at A Memory Called Empire, by Arkady Martine; Ragged Alice, by Gareth Powell; and New Suns: Original Speculative Fiction by People of Color, a new anthology edited by Nisi Shawl.
For a long time I have wanted to write a story about space exploration for the rest of us—that is, those of us who are not fighter pilots, crazy wealthy, or even physically fit. So far, space has been reserved for elites, and as long as we insist on sending wetware up there, it’s going to stay that way. But there are other ways! We don’t have to be passive observers of other peoples’ heroism, even in the short run.
Be sure to read the editorial to keep up with everything new and exciting—and for a rundown of this month’s terrific content.
Well, it hadn’t occurred to me before, but this is definitely a spiritual sequel of sorts to a story I wrote when I was seventeen, the first line of which was, “Once we invented cars which ran on sadness, all our problems were solved.” There’s more I could explore about physical belongings as vessels for emotion and about how our feelings, even in this world, affect the world around us in complicated ways.