Nonfiction
Book Reviews: October 2017
This month, Christie Yant reviews Kat Howard’s An Unkindness of Magicians and Daryl Gregory’s Spoonbenders.
This month, Christie Yant reviews Kat Howard’s An Unkindness of Magicians and Daryl Gregory’s Spoonbenders.
This is where the “strange effect” of fiction is really quite powerful. Being able to sympathize with people completely unlike ourselves helps open our minds to what others in the real world are going through. I try to remember this when I find myself judging people whose ambitions have lead them astray. We have a political and corporate climate right now that makes it easy to lose sympathy for people. There are some folks out there who are reviled by many, and I think it would break our hearts to learn how much some of them loathe themselves.
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True fact: when I first read Orwell’s 1984 (back when I was a tiny!Merc and didn’t quite get a lot of the political commentary), I was miffed that things like the Ministry of Truth and the Ministry of Love were not literal. Tiny!Merc was outraged that these names were, in fact, hiding something quite different. When I grew older and eventually got the irony, it really became all that much scarier. Naming something that has connotations of positive concepts when the thing is really fucking terrifying is a mind game all its own.
Theodora Goss’s story “Singing of Mount Abora” won the 2008 World Fantasy Award for short fiction, and her work has also been nominated for many other major awards, including the 2007 Nebula Award for “Pip and the Fairies.” She’s also the author of Octavia is Lost in the Hall of Masks, which won the 2004 Riesling Award for Best Long Poem, as well as the novel The Thorn and the Blossom, A Two-Sided Love Story, the short story collection In the Forest of Forgetting, and a new novel: The Strange Case of the Alchemist’s Daughter.
When I was a kid, I remember thinking there was no way for me to know if the world existed billions of years before me, or if it came into being the day I was born, and all the rest was just a very old scenography, with all the people coming along with it, complete with fake memories. That was my first taste of solipsism, and a part of me still thinks I was not far off. As a matter of fact . . . what is the difference between the two? From my point of view, the world’s past exists only if I exist. So, in a way, it didn’t exist before I was born.
This month, reviewer Violet Allen turns his attention to two unusual science fictional couples, examining the pairings in the film Valerian and the City of a Thousand Planets and then in the play Pilgrims.
When I was travelling into a library in Manchester researching the Napoleonic Wars for Dream Paris, it occurred to me that I was living on the edge of a city that had gone through these changes in the nineteenth century and I’d not been writing about it. Since then, it seems like I’ve walked the length and breadth of the city’s streets thinking about fantasy stories. I’ve filled Evernote with notes and pictures. Now I just need the characters to populate those backdrops . . .
This month, Amal El-Mohtar takes a look at Theodora Goss’ new novel The Strange Case of the Alchemist’s Daughter and The Refrigerator Monologues by Catherynne Valente.
I think this is probably the closest to “hard” science fiction of any story I’ve written. As I said above, my understanding of the physics here is pretty spotty, so my apologies to any scientists who spot something wrong! And a fun personal fact that made it into this story: my deep and hopefully irrational fear of losing my wedding ring.