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Sometimes I set stories in San Francisco because I have friends who live there. No family yet, sadly. I like to imagine them reading what I write and maybe smiling. I’m setting this story in Tokyo-Tokyo for the same exact reason. Greg, for one, lives in Tokyo-Tokyo.
There was a game we played at my primary school called “Giant in the forest.” Every day, even if it rained, the fourth and fifth grade teachers took us to this small playground with a jungle gym, swings, and a big grassy space where we could run if we wanted to.
She was being chased. She kicked off her shoes, which were slowing her down. At the same time her heavy skirts vanished and she found herself in her usual work clothes. Relieved of the weight and constriction, she was able to run faster.
Ten years ago, Clara had attended a creative writing workshop run by Karen Joy Fowler, and what Karen Joy told her was: “We are living in a science fictional world.” During the workshop, Karen Joy also kept saying, “I am going to talk about endings, but not yet.” But Karen Joy never did get around to talking about endings, and Clara left the workshop still feeling as if she was suspended within it, waiting for the second shoe to drop.
Once, not so long ago but before our time, all people were the same person. That’s not to say that they weren’t immersed in their own lives; they were, of course, as people always have been—millions of fish in their millions of bowls. It’s just that they were equally immersed in everyone else’s.
Come here, cher, and I tell you a story. One time there is a girl lives out in the swamp. Her skin and hair are white like the feathers of a white egret and her eyes are pink like a possum’s nose. When she is a baby, the loup-garous find her floating on the bayou in an old pirogue and take her to Tante Eulalie. Tante Eulalie does not howl and grow hair on her body when the moon is full like the loup-garous. But she hide in the swamp same as they do.
For the next few weeks Delia wrestled with hope. She walked the Island talking with Rainbow, who always lashed the tube to her back and stuffed cornbread in one pocket and a peach in another. Delia didn’t show Rainbow the hidden valley, just the inhospitable perimeter. An occasional ship passed in the distance. Nothing got close to the Island.
Audrey took her dinner quietly, without words beyond the obligatories (please, thank you, no, work was fine), and I obliged her the silence. We just ate, together but not together, in that way that you do when there are too many things to say. The meal in question was on the bad side of decent, days-old stir-fried noodles from the Japanese place down the street from her apartment, reheated and reconstituted into a slimy Pan-Asian gruel with the addition of fish sauce, soy sauce, sriracha, curry powder, chili powder, and neglect.
Don’t be fooled by the breadcrumbs in the forest. This is not a fairy tale. The first lie is pretty and spirals from your mouth like candyfloss; sweet, so sweet, and I’m melting under your tongue. Baby, baby, baby, you say, and I gobble it up, unaware that every word you say comes with a candy thermometer and you’ve made me your latest caramel bonbon.
This much is reality: Schwartz sits comfortably cocooned—passive, suspended—in a first-class passenger rack aboard a Japan Air Lines rocket, nine kilometers above the Coral Sea. And this much is fantasy: the same Schwartz has passage on a shining starship gliding silkily through the interstellar depths, en route at nine times the velocity of light from Betelgeuse IX to Rigel XXI, or maybe from Andromeda to the Lesser Magellanic.
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