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The Grand Philosopher Ancient Leaf once expounded that a man who kills another out of passion or greed is condemned as a murderer, and one who kills ten people is reviled as a maniac, but one who causes the death of hundreds of thousands in pursuit of personal glory is often revered as a great personage. The Grand Historian Silver Mirror utilized the quote in describing the senseless nature of the Wars of the Four Princes and the Six Grand Lords.
Vivian sat at a café opposite Cass. Everything around her had a gritty, dingy quality. Even Cass looked run down, their face deeply tanned and distressingly wrinkled. They were old now, many decades past being the child that Vivian remembered. She looked down at her hands, so different than the black shadows that she’d grown accustomed to seeing during all her years as a Shade—the skin was covered in age spots and hung loose on the bones.
My parents’ farm has shrunk, as old things tend to do. The shed, the workshop, the paddock with its doubled wire fences and chicken coop—all squat and rain-blackened, coming into focus as I step from the car as if I have put on glasses or wiped rain from a window. The house itself stands straight-spined beyond the pear tree, gray in the drizzle, more withdrawn than the last time I visited. The tree has not changed.
You asked me once if I had any favorites, and I asked you which of your sons you most loved. Do you remember? It was when I was on your radio show, the one where between the music you interview machines. Do people ever listen to this show? I do. I like hearing how the other machines think, what they’re building, what’s next. I hear the tiredness in their voices. I wonder if you do too.
Isabelle Winters once saw a fairy. For real. It was little, like a hummingbird, with a hummingbird’s frantic wings, and it was moving through the garden, shaking the rosebuds open for the bees. She’s just told this to Polly, though not exactly in those words. The sarcastic for real, for instance, is all Polly. If there was ever a girl primed to see fairies, Isabelle Winters is that girl.
With the right overlays, the city was charming—apartment buildings done up like giant row houses, seamlessly blending Victorian and modern sensibilities, boutiques and cafés on tree-lined streets, parks bathed in sunshine. Vivian Watanabe had lived on this block, once, in a high-rise apartment painted cornflower blue with trim in teal and white. She couldn’t see it now, not the way she used to.
Moses is not dreaming. She is remembering. She is twelve, standing drenched on the blacktop, all heaving, nervous breaths and frustrated tears blending with the rain. The air around her begins to pulse. She should have been home by now. A dozen things need doing before her mother gets home, and her little sister stands on the sidewalk, fidgeting beneath a plastic umbrella.
One day, long ago, a fierce storm scattered the royal hunting party. The prince, his best huntsman, twelve of his great lords and all their attendants, men and dogs and horses charged every which way, vanishing down one path and another until the prince and his best huntsman, whose name was Jack, were left alone, on foot, at the gates of a strange castle. “I didn’t know there was a castle here,” the prince said.
The kid was a cruise, you could see it in his eyes even if you’d never seen a single film made by his diminutive action star original. Something hungry flickered there; hungry and hunted. “He’s one of those kids,” you’d say, and depending on your own particular prejudices, you’d respond with disgust, lewd intrigue, inappropriate questions.
The chime above my shop door rings. It heralds a young woman wearing a head wrap boasting a network of silvery constellations on indigo, interspersed with the occasional yellow-gold moon. The wrap itself is made of silk—not the finest grade, mind you, but sufficient to conceal what she must see as a fault. None of her hair is visible, but the contorted celestial bodies show the fabric is at the end of its tether.
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