Talia sat at the edge of Eliza’s bed, her hands clasped. She was new—so was I, but she was newer. I went to her, and stroked her head, careful to avoid the honeycomb on her brow. “Daughters.” Mother Anam’s face was twisted when she came back from searching the rest of our rooms, her shoes clicking on the hard, pocked floor. It always seemed to us that she was disappointed that we hadn’t broken a rule, that she couldn’t punish us.

When they ordered me down off my pedestal, I had nowhere else to go. Life as a statue is easy. They make you ascend the pedestal, turn you to stone, remove your ability to move, and leave you to watch the turn of the seasons in a world you cannot touch or care about, anymore. You can only stand in the public garden where all the convicted are placed, and you watch with dull and distant interest at the visitors who stroll past.

Besides the vedma who lived behind the stove in steam room three, the banya in Grand Lake Plaza was the same as any other budget day spa on Chicago’s West Side. It had deep-tissue massages and signature facials, plus day passes for the communal baths and steam rooms. There was a cucumber water dispenser in the lobby, and a little sign on the front desk that invited guests to “nama-stay a while.” The robes and slippers were cheap, scratchy polyester.

Witchcraft is a gift. Imelda would wave her steel spoon at Mercer and insist on this as he measured ingredients for her, whether she was boiling potions or a pot of farfalle pasta. Watch the salt, a teaspoon only, never pour too much. Don’t overheat the sauce. Bottle the hawks’ gizzards separate from the basilisks’. Never half-ass a gift, Mercy. Her perpetual imperative. Mercer is alone now. His hands are unsteady—they’ve shaken like a drunkard’s since they held Imelda as she passed—and he is no witch.

You have just been attacked by a Kharbat. It has sprung on you from hiding, in some place where you foolishly imagined yourself safe; and even as its many glittering fangs sink deep into the flesh and bone of your shoulder, you know that any attempt to save yourself is futile, that you were always fated to perish in this way, and this beast was always fated to usher you screaming into the world of the dead. What is a Kharbat? I don’t know. Why am I asking you? I am the world’s leading expert.

It is not the dust that brings her tears. The Lachrymist’s house is dusty, fragments of time and memory fallen everywhere, a living blanket that drapes itself over tables and chairs and things even stranger. But time and memory are to be expected anywhere the dead gather, and even in this abundance, they do not drive her to weeping. Neither is her weeping caused by the voices, calling to each other from shadowy ceiling corners, memories still embodied, repeating phrases into the cold air.