Advertisement
Ever since the discovery of the eighth continent, we’ve all had to come to terms with the presence of a landmass we never knew existed. In this age, wherein it often feels like every inch of mountain and valley has been charted, crossed, and geocached, how could we have been blind to a continent floating in the middle of the Pacific Ocean? We suppose, like the mapmakers of a millennium ago, we were blinded by our self-assured scientists and their navigational tools.
The pain of losing something so precious that you did not think you could live without it. Oxygen. The ice breaks beneath your feet: Your coat and boots fill with water and pull you down. An airlock blows: Vacuum pulls you apart by the eyes, the pores, the lungs. You awaken in a fire: The door and window are outlined in flames. You fall against a railing: The rusted iron slices through your femoral artery. You are dead already.
The Wizard Niccolo was not happy. At the age of 183—youthful for a wizard, but improbable for an ordinary human—he had thought certain things well out of his life. Sudden changes in his daily routine were one. And romance was another—even if it was his familiar’s romance, and not his own. “Could make an omelet with it, I suppose,” he grumbled to that familiar, the tiny dragon Olivia. She sat on the cluttered mantle, wrapped around her egg, still marveling at its production and entirely too pleased with herself.
In the very heart of winter, the forest holds its breath. Frozen earth sleeps without dreaming; brittle sunlight breaks and scatters in gasps between the trees. The girl walks through the woods, boots crunching the crusted snow. There is always such a girl, walking alone. Little footprints point the way back to a clutch of hovels; she peers half-dazzled through shadow and snow-flash. A basket hangs dispiritedly from her arm. Sausage end. Hardened loaf. The creeping doubt in spring itself.
I woke early—or perhaps didn’t sleep. My body is still adjusting to the time zone hop from Southern California to the islands north of the Scottish mainland. Orkney. A series of islands, many of them uninhabited, in the cold North Atlantic Sea. To the east is Norway. To the West are Iceland and Greenland. In other words, it’s chilly even in the summer when there is endless light. It’s stunning, aside from the dead guy currently at my feet.
Forty-six minutes and a trickle of seconds remained before the end of the world—this world, anyway—and I was trying to evacuate the second-last client on my list. Some apocalypses come in with horns blaring and guns blazing and cascades of fire. Some apocalypses like to be obvious. This wasn’t one of them. The humans had various names for their world. My partner Rawk and I called it Seedworld 722.11.15, which was our superiors’ label. We’d seen a lot of Seedworlds perish, she and I.
Red slays the wolf, and another bursts through the kitchen window and bites her in the stomach. Glass gets in her hair. She smashes the chopping knife into its head, then runs out the back door, gulping for air. She doesn’t stumble. The wood must be at war with itself: Some trees let her pass, others scratch her. The howling recedes; the howling’s at her ear. Eventually her boots skid on marble and she falls, her heart a hammer against her ribs. She curls up to make herself small. At least I’m all bones. They won’t enjoy me.
Once there was a prince of Ruyastan who was born in secret and hidden behind a false wall with a nurse to hush her and soothe and give suck. The prince and her nurse lived in narrowness for ten years, reading and watching the world through a crack no bigger than a needle. During those years, the dowager queen hunted down and killed, for jealousy, every one of the prince’s half-brothers and cousins, carelessly begotten in cities and villages and forgotten apart from notes in the royal genealogies.
People around here never wanted our family. Crow boys, they called us, a flock of five brothers and our father, all of us with long black hair. Flapping our over-sized, garage sale sleeves and falling over the fences the neighbors put between us and them. And maybe too because of the feathers. Our father hung black feathers from the side mirrors of his truck, along the eaves of the house, and he dangled them from the shriveled limbs of our dying fruit trees. All those feathers spinning in the hot wind.
Before the flute is a flute, it is a bird. This is the first act of magic. This is the first lesson the girl learns, when the world is still young and shaggy-coated with lingering winter. Sometimes things can be other things. An axehead hides in a chunk of flint. Before it is a meal, a mammoth is a squealing calf tagging along behind its mother. A fox is a white spirit barking curses until an arrow finds it and turns it into a friend that shields your ears from the wind’s teeth.
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement