Muna shuts the storeroom door as quietly as she can. Holding a just-waxed bundle of letters to her chest, she sticks out her head to check the bookshop floor. If she walks between the shelves on the far right, she can slip out unnoticed in ten heartbeats. The main door of the bookshop is propped open, the sun shining after what feels like a year of sodden clouds and sludged streets—she can’t wait to feel its warmth on her skin.

Call me Philoctetes. My real name doesn’t matter, and I wouldn’t be allowed to tell you what it is, anyway. Security concerns, you understand. What you need to know about me is that I was a US Army Green Beret—one of the Quiet Professionals. Usually tasked with working with the locals in counterinsurgency efforts and the like. The stuff that doesn’t—or shouldn’t—make the newspapers.

I came to the city to find an egg. A robin’s egg, to be precise, an oval of pale, perfect blue that echoed the spring sky. Inside, not a robin, but an emerald. Inside the emerald, a wizard’s heart. He had decided he missed it, and he wanted it back. It was the usual sort of thing, or so he had assured me. His heart taken out and stored for safekeeping, a place where his enemies—and certainly there were many, jealous of his power—would never think to look. So well hidden, in fact, that he himself was no longer quite certain where it was.

The house wakes from its somnolence as the witch trudges up the path made of tarts. Through its rock-candy windows, the house scans her figure for any signs of hurt. The witch’s errands in the city make her nervous. And the house, being made of her magic and therefore of the witch, worries along with her that the wrong person might recognize her, or simply think they do.

The town was not called Byzantium. The Ministry named it during the first meeting. “It’s not a colony,” Thomas James would have said if he could, but the office was hot and bright, the sun in the windows, in his eyes. He felt like he was surrounded by faceless figures even though there were only two other people in the room. The town they were talking about was located between worlds. The entrance was in the remains of Ooldea, out on the edge of The Nullarbor Plain.

I punched my brother because he was an idiot, because he couldn’t see what I saw, how hard mom held onto the dish rag when she came out onto the deck to tell us dad had been in an accident, which is why the first thing out of his idiot mouth was “So can we go to Pizza Hut for dinner instead?” And her face had already been enough to tell me dad was in real danger, but the fact that she didn’t scold me for punching Rem made my skin prickle up like when a snowball hits the back of your head.

My father was so honest, people often spoke of him in cliches. For example—you know the way someone will sometimes say so-and-so was so honest they’d walk five miles to return an extra nickel they’d been given in their change? Nobody means anybody actually did that kind of thing when they say it, of course—you and I both know they’re only exaggerating for effect. Except in the case of my father. My Dad had really done that. Around the neighborhood, he was seen as so calm and understanding when compared to other fathers, other husbands . . . some of the grownups jokingly referred to him as Saint Barney.

The three wolves in the sun-smeared wood did not turn and run when Aran approached with his musket in hand. Wolves were supposed to run from men with guns. This was the way of the world. Sweat and necessity made his musket slide against his palms. He gripped tighter, not wanting to startle the beasts by bringing the musket to bear too quickly. Two of the beasts stood over the third, which reclined on its side in the patchy grass. He could count their rib-bones through their thin hides. His own hungry bones hummed in sympathy. But the world turned on toward frost and frozen ground, and necessity stilled the tremor in his chest.

The Noon Witch is not a cat person. She likes the color purple, hates police procedurals, loves breakfast foods, thinks scented bath products and anchovy pizza are gross. Hates platform shoes. Hates walnuts in brownies. Used to like the electropop group all the girls at school like, until they used too much synth on their latest album, so now she hates them too. The Noon Witch isn’t an overcritical person. She’s just at that difficult age when you’re desperate to figure out who you are, so you lean too much on your likes and dislikes to try to cobble together what you think should be your personality.

On the first floor of a Colonial-style house constructed last century out of planks of old growth cedar, a monster is dragging a woman’s husband from room to room. The specific path this monster takes will be evident the next morning from the gashes in the wood floors and the splattering of the husband’s innards upon the plaster walls. Blood on the ceiling. The woman herself is hiding in the upstairs bedroom in her closet, face buried in the nylon hems of her patterned dresses, hands to her ears, a washcloth between her teeth so she can bite down hard on something that isn’t her tongue.