Deathmatch
The cab slices through the city, one small fish of a humming black shoal, while Henrik watches ads in his rain-flecked window. Today he sees carnal red sociomachines, spine-mounted, that spray pheromones and calculate human interaction. A black-and-yellow swamp whirling through space. A man screaming no at the moment of orgasm. The product is not always clear, but the ads are always effective. He can feel money slivering off his account and slithering into the ether. The cab’s vestigial partition, now a slab of flickering smartglass, shows him that he has invested in a dozen new corporate splinters.