Nonfiction
Book Review: We’re Here, edited by C.L. Clark and Charles Payseur
How does the newest of the year’s best SF/F anthologies stack up? Let Arley Sorg tell you why you want to read this one!
How does the newest of the year’s best SF/F anthologies stack up? Let Arley Sorg tell you why you want to read this one!
It’s never easy to wrap up a series, but reviewer Chris Kluwe tells us why Richard Kadrey nails the finale of his Sandman Slim tales.
I’m a visual writer, and writing for me is typically recording what I see in my mind’s eye. With this story, the opening scene is actually what came first; I found the image of an old man made of wood sitting on a balcony quite striking. I knew right away that he was waiting for something, for someone. But the reason he had traveled so far, his backstory, everything that had brought him up to that moment eluded me.
LaShawn M. Wanak celebrates short fiction about our identity in her review of the new anthology Seasons Between Us.
When writing future scenarios I do keep in mind how fast technology is changing, but how slow human feelings and behavior change in comparison. Technology is going faster and faster, and I don’t think our interactions and feelings can keep up; by the time we’ve figured out one way of using a certain advancement, it seems as if a new one is already here. We sometimes speak as if technology is going to resolve the issues we have as a society and in most cases, I think technology just makes it clearer where the system is the weakest.
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My experience in medicine has definitely informed much of the dynamic. It’s a high-stress, high-stakes, highly hierarchical environment. There’s four years of medical school and then three to ten years of residency (depending on the specialty) and the whole process is working your way up the totem pole. My protagonist is in her last year of residency and a big part of her identity has become being a leader in the hospital, being highly reliable, and being able to help people.
Arley Sorg knows a lot about short fiction. Find out why he’s recommending the reprint anthology Far Out, edited by Paula Guran.
This has a lot of dark themes, it doesn’t have a traditional western story structure, and it handles characters who have very little agency. Any one of those, handled badly, could’ve sunk the story. I just didn’t know if any of it was going to come together and actually work in the end. The descriptions of the honeycomb came most easily. I really enjoy writing body horror, so it was nice to indulge in that.
This month, Chris Kluwe’s reading goes royal. Find out just why you should read Jennifer Estep’s new novel Capture the Crown.