Nonfiction
Book Reviews, June 2020
This month reviewer Arley Sorg reviews new work from Meg Elison (Big Girl), Ellen Datlow (Final Cuts), P. Djèlí Clark (Ring Shout).
This month reviewer Arley Sorg reviews new work from Meg Elison (Big Girl), Ellen Datlow (Final Cuts), P. Djèlí Clark (Ring Shout).
Scotch whisky is almost certainly the greatest invention of western civilization, but it takes a criminal amount of time to make! I once got to attend a scotch tasting where the host had a 110-year-old bottle with a hand-lettered label. It was magnificent. Clear and bright as a summer’s day. I was transfixed. Here was the physical remains of a hand on a pen, and inside, the liquid distilled from a summer’s grain harvest a century ago. Aged whisky has always been a time capsule.
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It started as a novel. This happens sometimes. You can imagine all those footnotes and how they get doled out in a plot line that runs over 300 pages? The main character here never appears in that novel, which was never sent out to editors. It remains one of those projects I stare at and rework and then stare at and then put away. I’m now staring at it again.
Stephen Graham Jones is the recipient of an NEA fellowship, the Texas Institute of Letters Award for Fiction, the Independent Publishers Award for Multicultural Fiction, a Bram Stoker Award, four This Is Horror Awards, and he’s been a finalist for the Shirley Jackson Award and the World Fantasy Award. By day, he is the Ivena Baldwin Professor of English at the University of Colorado Boulder.
I think love is the fundamental vibration of the universe—a mixture of exuberant joy and erotic creation (birds and bees, the earth ripe with spring, the stars in one’s eyes upon seeing one’s lover). Its sensation is a boundary-dissolving limitlessness that allows us to transcend the limited perception of self in order to experience an interconnected merging with other. And to experience love fully means being willing to unwrap the barbed wire of self-protection from our hearts.
Ready to get your kids started in gaming? Looking for some help? We brought in a very special reviewer to check out these new D&D supplemental materials designed for kids. Find out if they’re a good fit for your family!
I find Enga fascinating to write because she’s such a badass yet significantly disabled. Obviously she has cyborg limbs and technology in her head, which in some ways help her find workarounds for her impairments, but she’s still impaired; she still faces significant challenges that the other characters don’t and would never be mistaken for an able-bodied person. I’ve always seen her as a character who is deeply angry.
This month, LaShawn M. Wanak reviews Corry L. Lee’s new novel, Weave the Lightning, Laura Lam’s Goldilocks, and Bethany C. Morrow’s A Song Below Water.
The first image I had was of a person being so inflamed by her uncontrollable emotions that she literally burns to death—but also comes back to life. The last part is important because it symbolizes the cyclical nature of life: some days are good, other days are bad; the tide goes out, but it always comes back in; a phoenix dies, but gets reborn. In the same way, it’s so easy to get lost in the heat of an intense emotion and think we’ll always feel this way.