I read a little bit of Angela Carter and Lyudmila Petrushevskaya while working on “Al-Kahf,” The Bloody Chamber and There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby, so many of the structural and stylistic decisions I made in my own story were influenced by those authors. I’m a fan of Carter’s detail. Her writing is rich and dense, and I adore her attention to language.

Take memories, for instance. They’re imperfect and fleeting, and yet we build so much of our sense of self upon them. “I am the person today who remembers the person I was yesterday.” So if you forget a particular event, are you a different person than the one who experienced it? You almost certainly remember it differently than it actually happened. Our brains are incredible at filling in details to make our memories more believable.

Kali was actually created out of body parts of different Hindu gods. They were unable to defeat a powerful demon themselves, so they each contributed a body part, which came with that god’s greatest power or weapon, and created Kali. But they hadn’t anticipated how powerful she would be now that she had all their powers (duh). She was a wrecking ball. An unstoppable force of destruction.

In our society, we valorize dissent. We’re literally taught in school that if one man refuses to knuckle under, then the entire world can change. That’s also a key element of so many fantasy stories. But it’s just not true. Oftentimes, you lose. The problem is, you don’t know what’s going to happen. You don’t know if you’ll win or lose. You don’t know what courage is. So it’s impossible to know, ahead of time, what’s the right thing to do.