Money and religion go way back: If you try to trace the origins of money, you find yourself in Sumerian temples, looking at cuneiform tax and granary records. Many religions discuss the question of “creation debt”—the question of what humans owe their divine creators (and whether this debt can ever be repaid). Sacrifices are often conceived as a kind of payment to God (which also has the benefit, from priests’ perspectives, of supporting the life of priests).

When I first read about the Andean agricultural practice waru waru, I knew I wanted to write a story that incorporated it, but I wasn’t sure how. It kicked around in the back of my brain for a couple years, trying to attach itself to some kind of story, until something terrible happened: My aunt had a stroke.

I fought this story on and off for years, and it’s changed almost entirely, except for the two main characters. The very first draft dealt more with the westernized interpretation of genies and wishes that folks are familiar with. Still set in the same place but quite different than the end product. But the main idea I wanted to explore then and now was the dynamic between two characters like Nassim and Khaizaran amidst that setting.

Initially, I started with trying to envision a positive future. I came up with the Overview Initiative concept, then immediately realized all the reasons it is a terrible idea. That tension, as well as a tension I’ve been feeling around what the “point” of science fiction writing is more broadly (as if there is one singular point), drove this story.

The location is loosely based on the Round Table Foundation, an occult and psychic research facility that existed on the Maine coast in the mid-20th century. It was led by one Henry Puharić, who is well known in paranormal conspiracy circles, and a guy named Harry Stump, whose biography has to be read to be believed. Aldous Huxley used to stop by.