Author Spotlight
Author Spotlight: Cat Rambo
Resistance is much on my mind lately, with the world in its current state, and I wanted to talk about how communication might shape itself in a conversation about the act of resistance.
Resistance is much on my mind lately, with the world in its current state, and I wanted to talk about how communication might shape itself in a conversation about the act of resistance.
Melissa A. Watkins recommends In the Shadow of the Fall by Tobi Ogundiran—find out why!
Part of what drives this story for me is the lack of control, the chaos—he doesn’t know how it works, he screws up, the machine pushes forward (showing him such strange sights) and it pushes him backwards.
Be sure to check out the editorial for a rundown of this month’s great material.
Unlike many of my stories, this had a specific inspiration—I was hiking a new-to-me trail in Rocky Mountain National Park, which is near where I live. I found the most amazing, peaceful spot—a kind of still murky pond with lily pads, and a nearby grove of aspens—it was autumn, the leaves had fallen, so the trail was carpeted with gold, and the bare branches reached up to a bright blue sky. It felt like a refuge—a good place to hide.
If you’re hungry to read about a decaying empire, batteries made from dead sorcerers, and a battle between a giant mech and a dragon, then Blood of the Old Kings by Sung-il Kim (translated by Anton Hur) is probably for you.
If you’re looking for a complex story about a fascinating realm, be sure to check out The Melancholy of Untold History, Minsoo Kang’s debut novel.
I googled “how to structure a heist” and got a lot of “here are the one hundred and nineteen essential plot beats for a heist,” so that was a dead end, because I don’t believe in more than, I don’t know, two plot beats at a time. So then I watched a bunch of heist stuff in the hope that it would all just sort of passively pervade my mind. The Thomas Crown Affair, Leverage, and so on.
I love night markets, and I love magical market stories. So of course I wanted one day to write one myself! I was also thinking about parenthood, about the baggage that we bring to it, about learning to be open and present even when that’s really hard. About vulnerability and defensiveness in general. And about the inevitable calluses that we acquire through life, the armor that we don to survive.
If you’re looking for an innovative take on haunted house stories, Arley Sorg recommends The House Where Death Lives, edited by Alex Brown.