Nonfiction
Media Review: July 2020
Our reviewer LaShawn M. Wanak takes a deep dive into Steven Universe, Steven Universe: The Movie, and Steven Universe Future. There are gems, trauma, singing, and heroics—so should you watch it?
Our reviewer LaShawn M. Wanak takes a deep dive into Steven Universe, Steven Universe: The Movie, and Steven Universe Future. There are gems, trauma, singing, and heroics—so should you watch it?
Neverland has pirates and mermaids, making it the perfect setting for a story about pirates and mermaids! Especially since the novel assures us that most of the Neverland stories have not been told. But also, for all of its enticements—nothing but play and ongoing adventure!—Neverland is a deeply troubling, terrifying place, more so than the other famed childhood worlds of Wonderland and Oz and Narnia. And that makes it a rich source for stories.
This month, Chris Kluwe reviews new books from Alaya Dawn Johnson (Trouble the Saints), Andrew Irvine(Anthropocene Rag), Keith Rosson(Road Seven), and Matthew Baker (Why Visit America).
My favorite advice to writers is to wring the emotional reaction from yourself, first. When writing humor, you need to barely stand how witty you’re being; when you’re writing tragedy, you need to weep; when writing horror, you need to be appalled that this monstrous stuff is coming out of you. Hell, if you’re writing a thriller, you need to fear for your characters. Honestly, if you don’t react yourself, if it’s just a technical exercise, no one else is going to care either.
Be sure to check out the editorial for a run-down of this month’s content and all our news and updates.
In “Baba Yaga and the Seven Hills,” I wanted to see what would happen if I dropped this ancient, powerful force into a modern context that rendered her pretty powerless. I think it’s her ambiguous nature that made her a good character to follow to a place of vulnerability. Because, yes, ultimately, it’s a story about home and the different things home means to us. Is it where you are or who you’re with? Is it familiarity or discovery, stillness or movement? For me, there’s no easy definition.
Jessica Cluess is a graduate of both Northwestern University and the Clarion Writers Workshop. After college, she moved to Los Angeles, where she served coffee to the rich and famous while working on her first novel in the Kingdom on Fire series, A Shadow Bright and Burning. These days, she sits around thinking about dragons far too much, and enjoys it.
Most of my stories draw heavily on my lived experiences, but this story felt like an exception. While there were elements that came from life—a nightmarish episode with a bear, a beloved aunt, my years living in the mountains—most of it was invented. Flash forward to the present where I’m quarantined in a one-bedroom apartment with my best friend and my girlfriend. I wish I’d written something with a happier ending.
Sure, you’ve heard about Tom Nook and all the cute animals in the neighborhood. But what is it really like playing Animal Crossing: New Horizons, especially when you’re stuck home alone in lockdown? JY Yang spills the beans.
Refuge comes from Australia’s treatment of refugees. For a long time, Australia has been awful to people seeking asylum, especially if they arrive here by boat. For the last twenty or so years, the country has opened and closed island detention centres whose main purpose is to torture its inhabitants. The goal of that torture is to assure people domestically that the government is “strong,” to force the refugees back to the country of their origin, and to frighten other refugees from making the journey to the country.