Nonfiction
Media Review: September 2020
Christopher East reviews streaming shows Devs and Years and Years.
Christopher East reviews streaming shows Devs and Years and Years.
I was just concluding work on my doctoral dissertation as I wrote the story, and a big component of what I was doing had to do with theories of physical space and how people exist in those spaces, using Foucault’s writing from The Order of Things in particular. When something like that is taking up that much real estate in your brain, it’s going to come out in lots of ways you maybe didn’t anticipate.
Arley Sorg reviews the novel Burning Roses, written by S.L. Huang, and anthologies edited by Joe M. McDermott (Evil in Technicolor) and Sheila Williams (Entanglements).
Much like happiness and peace are doorways, I see humor as a gateway to expanded consciousness. Humor and laughter expand our spirits outward, while fear and violence force our spirits to cower. In this way humor is transformative, revolutionary, and healing. My hope—as far as the larger market trends go—is that we’re entering a new age of art.
Don’t miss a rundown of this month’s terrific content and updates from the Adamant Press universe.
But I have to tell you, the biggest nachas (joy) came from some of my interactions with the kids who read my Gustav Gloom novels for middle-graders. Hearing from a problem reader that they worked their way through the whole series and are better at this book-absorption thing, or being sent a photograph of a potato that’s been painted to resemble my protagonist as school project, is an award of a whole different color.
Andrea Hairston is the author of Master of Poisons (out September 8, 2020). Her other books include Will Do Magic For Small Change (finalist for the Mythopoeic, Lambda, and Tiptree Awards, and a New York Times Editor’s pick), Redwood and Wildfire (Tiptree and Carl Brandon Award winner), and Mindscape (winner of Carl Brandon Award). She has published essays, plays, and short fiction and received grants from the NEA, Rockefeller and Ford Foundation.
Style-wise, I wanted to establish early on that the reader is in a sort of epic poem being written by the main character, Anisah, and so I specifically tried to reference the style of Beowulf and The Illiad—stories that generally start with the author calling the audience to attention (“Hwæt!”) or invoking a deity (“Sing in me, Muse,” the first line of Robert Fitzgerald’s translation of The Illiad, which I also cribbed for the title).
This month, Carrie Vaughn mourns watching movies in the theater. She also reviews Amazon’s new series, Upload.
I blame authors Phoebe Barton and Derek Künsken. One day on Twitter, they were discussing the various irregularities in English plurals: mouses in houses, oxen in boxen, and hooves on the rooves. With that phrase—hooves on the rooves—I caught the feel of the story all at once. Brilliantly cold midwinter, a deer stalking the night. I’m not sure why. It’s possible that hooves on the rooves made me think of reindeer and my subconscious took a Yuletide leap from there.