Nonfiction
Media Reviews: February 2018
Carrie Vaughn reviews The Shape of Water, The Man Who Invented Christmas, and Star Wars: The Last Jedi.
Carrie Vaughn reviews The Shape of Water, The Man Who Invented Christmas, and Star Wars: The Last Jedi.
In our society, we valorize dissent. We’re literally taught in school that if one man refuses to knuckle under, then the entire world can change. That’s also a key element of so many fantasy stories. But it’s just not true. Oftentimes, you lose. The problem is, you don’t know what’s going to happen. You don’t know if you’ll win or lose. You don’t know what courage is. So it’s impossible to know, ahead of time, what’s the right thing to do.
This month, LaShawn M. Wanak reviews the short story collection Starlings by Jo Walton, the novella collection The Tangled Lands by Paolo Bacigalupi and Tobias S. Buckell, and the novel The Fairies of Sadieville by Alex Bledsoe.
I’m a psycholinguist who’s also a first language speaker of a language (Hungarian) that often defies received wisdom about “language universals.” A lot of “facts which are true of all languages” simply do not hold for Hungarian. I am less of an expert about emotions, but my knowledge of languages has in general made me skeptical of claims of cognitive universals. All the research that I mention in the story is real.
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Growing up in Malaysia, really, and listening to the usual doctrine. The wife is an asset, an advantageous acquisition for the husband’s family. She has to be. Because otherwise, what’s the point of her? There’s definitely a growing awareness of women’s rights in the country, but a lot of the older generation still subscribe to the idea that women are almost property. And you do see its impact on men of my generation
Fonda Lee is the award-winning author of the YA science fiction novels Zeroboxer and Exo. Born and raised in Canada, Lee is a black belt martial artist, a former corporate strategist, and action movie aficionado who now lives in Portland, Oregon with her family. Jade City is her adult debut.
I’m fascinated by stage magic. There’s definitely a similarity between stage magic and fiction, not just in the reliance on the audience to suspend disbelief, but also in the power of misdirection. Writers choose what readers see, and when they see it. What’s background or set, what detail will be important to the story? We control the timing of what is revealed when, and if we do it right, we reward the careful reader. Style is just one of the tools.
Reviewer Christopher East digs into comedies with a fantastical bent: Netflix’s BoJack Horseman and NBC’s The Good Place.
Humans can obviously be connected to the environment and/or incredibly destructive towards it. But even if humans stop existing, if we wipe ourselves out, are driven to extinction, or just up stakes and leave, the environment will go on. It doesn’t need us nearly as much as we need it. I wrote this story in response to my own fears of nuclear war, which are a primal thing for me. I grew up in the 1980s when the possibility of a nuclear exchange with the USSR was still quite real, so that has lurked in my own psyche for many, many years.