Lightspeed: Edited by John Joseph Adams

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Science Fiction

Different People

You never expect to meet one of the refugees. You aren’t a scientist or a politician, you’re a middle school history teacher. The story of the refugees from a destroyed parallel Earth—security camera footage of dozens of bedraggled people appearing through a shimmering section of air not far from Cheyenne Mountain in Colorado—should fade into the background of your life like every other major news story and tragedy, present but mostly forgotten.

The Nation of the Sick

Try to picture the scene, Cybil, the same way I did when I got the call. Christmas Eve; two cops standing in a stinking motel room. Blood on bare white sheets, and a broken syringe, and a man. My brother. Whatever sounds he made, that got the neighbors to call the cops, they’re done now. The overdose is over. He hasn’t died. He won’t, tonight. He’s sick, crying, begging—probably wishing he had died, now that two cops are standing over him.

Saudade

The cardboard sign read, “HOPELESS, ME AND MY SISTER NEED MONEY FOR SHUTTLE BACK TO VENUS.” The word “hopeless” should have been “homeless” but because Vida couldn’t write in Hangul, she dictated the words to Menino instead. She blamed the mix-up on her outdated translator, which began acting up ever since she arrived in Seoul. “People will get it,” Menino argued as the escalator descended to the first level of Chungmuro Metro Station.

There Are No Hot Topics on Whukai

The day the dMods shut down Skeleton Caves, Esko put on her VR goggles and slipped into the Whukai space colony’s main chatroom to figure out what was going on. All the Whukains who made their living off the popular Terran MMORPG, d’Artagnan, had the same idea. Beside her, on top of her, avatars logged in—an absolute pandemonium of photorealistic, 8-bit, anime animals and humanoids and everything in between.

Carnivores

Finch pried himself out of the autocab midway down Jasper Avenue, where Carnivor gastro-bistro, the city’s most exclusive new eatery, skulked between concrete high-rises. He’d read up on the restaurant’s architecture when he and Blake first started planning the heist, so he knew it was a collaboration between a Bolivian artist and a decaying engineering AI, and that the swooping ridges of the façade, together with its calcium-spike stalactites, were meant to evoke the maw of an animal.

Hypnopompic Circumstance

Thomas’s first encounter with the alien was terrifying. It happened in his bedroom. Thom was attempting to get to sleep at the time, after a long Friday night that had extended into early Saturday morning. Alcohol was involved, and a little pot, but nothing natively hallucinogenic, not unless someone slipped him something. Nothing that could explain the appearance of someone who wasn’t supposed to be there.

Complete Exhaustion of the Organism

“It’s not a real baby,” Jain says flatly. “And we should kill it.” Another sunless morning in the Waste. She and Stromile have woken up to a gift: a canister of pepto-pink fluid with an infant inside it. The tiny figure is chubby and squirmy and perfect, and it’s only now that Stromile finally takes his eyes off the thing. “Kill it?” he echoes, rubbing his finger in the hollow of his collarbone. “You serious?” “Serious, yeah.” Jain nods her head at the canister. “This is them fucking with us, babe.”

The Ocean Between the Leaves

It began just like a fairy tale; an orphaned young woman pricked her finger on the thorn of a rose, and fell asleep. She had always loved to be outdoors, and so the job she had as gardener at one of the stately, ancient yalis along the shore of the Bosporus was perfect for her. The mansion looked out over the waters of the strait from the Asian side, where it widens to meet the Black Sea, just north of the border of Istanbul Protectorate. It was an investment owned by an Emirati family who was hardly ever there.

Swear Not by the Moon

In the last decades of the Terrestrial Age, when humanity had figured out how to leave the planet of their birth but not quite why they’d want to bother, the majority of the world’s wealth was concentrated in the hands of very few. This was not, in and of itself, remarkable: this pattern had repeated, over and over again, throughout human history.

The Equations of the Dead

The boyo working the transmitter doesn’t look like much, except his face is radiant. Radiant, like one of those pooka upworld adverts for neural templates. Dopamine-druggy, but lucid. Like he’s in love. Boyo also looks like he hasn’t spoken to a human in days, and like aside from the food allotments he doesn’t have a lick of capital. His clothes have that washed-while-wearing look, and they’re homespun; no fancy imported fabrics or styles. You’d walk away from this jondo in the market.

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