Nonfiction
Book Review: Latinx Screams, edited by V. Castro and Cynthia Pelayo
If your taste in short fiction runs a little darker, Arley Sorg has a book for you: <i>Latinx Screams</i>, edited by V. Castro and Cynthia Pelayo.
If your taste in short fiction runs a little darker, Arley Sorg has a book for you: <i>Latinx Screams</i>, edited by V. Castro and Cynthia Pelayo.
I’ve found I’m writing about a certain kind of nostalgia—a sense of loss/longing for a present moment which has eluded our grasp. Much of this, I imagine, comes from parenthood. My son is headed off to college next year and there’s a great awareness of just how quickly time passes and how easily we can fall into the illusion of having “more time.” I’m thinking here of the moments when our children ask us to play but we’re too busy (often for legitimate reasons!) and yet, soon they’ve grown and are no longer asking us to chase them around the house.
Most of the books we review around here are fiction, but this month Chris Kluwe decided to challenge himself by reading about astrophysics. The good news? He says you totally don’t need a math degree to enjoy <i>The End of Everything (Astrophysically Speaking)</i>, by Katie Mack.
The seed of the idea came, appropriately enough, when we were contemplating the process of collaboration. It occurred to us that, when writing a tale together, we were in effect inhabiting one mind . . . We can’t recall who exactly it was who had the original idea inspired by that insight, but we batted it around as we do, then got stuck in. Eric began the tale, did a couple of thousand words, then passed it on to Keith to finish. There was little plotting done between us—we simply let our respective subconscious minds take the idea where it would go.
Looking for a heartbreaking debut novel? LaShawn M. Wanak highly recommends On Fragile Waves, by E. Lily Yu.
The original inspiration for the island came from a Smithsonian Magazine article about North Brother Island, which is located between Manhattan and the Bronx. It was once the location of Riverside Hospital, designed to contain smallpox and other infectious diseases in the late nineteenth century. The island got repurposed a few times over the years, becoming housing for war veterans and later a rehab center for heroin addicts. Then, it was abandoned in 1963 and has since become a place reclaimed by nature.
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I’ve been really into establishing “space habitat folklore,” and gremlins are a big part of that. My gremlins are inspired by the originals—the ones that would go around causing malfunctions in airplanes, and in an off-Earth habitat where your survival is dependent on all your machines working well, gremlins would be a natural way to explain random malfunctions. The gremlin trap is a bit of worldbuilding that I’ve had in my back pocket for a while. The idea here is that Martian kids build these traps as a way to learn basic mechanical principles.
We know you love short stories, and so does Arley Sorg. He reports on his favorites from this new collection by Lightspeed alum Isabel Yap.
At the time that I wrote the story fifteen years ago, our culture was at the height of one of our regularly occurring moral panics around bad boy romances. The theory is that if women are permitted to have sexual fantasies about tortured and angry men, somehow these fantasies will directly cause sexual and interpersonal violence. So I wanted to write a bad boy romance as a way of standing up for myself and my friends who love bad boy romance stories. Because I am the sort of person who likes to ground modern narratives in folklore, when I think of bad boy romances, I think of magical fiancé stories.