Editorial
Editorial: September 2020
Don’t miss a rundown of this month’s terrific content and updates from the Adamant Press universe.
Don’t miss a rundown of this month’s terrific content and updates from the Adamant Press universe.
But I have to tell you, the biggest nachas (joy) came from some of my interactions with the kids who read my Gustav Gloom novels for middle-graders. Hearing from a problem reader that they worked their way through the whole series and are better at this book-absorption thing, or being sent a photograph of a potato that’s been painted to resemble my protagonist as school project, is an award of a whole different color.
Andrea Hairston is the author of Master of Poisons (out September 8, 2020). Her other books include Will Do Magic For Small Change (finalist for the Mythopoeic, Lambda, and Tiptree Awards, and a New York Times Editor’s pick), Redwood and Wildfire (Tiptree and Carl Brandon Award winner), and Mindscape (winner of Carl Brandon Award). She has published essays, plays, and short fiction and received grants from the NEA, Rockefeller and Ford Foundation.
Style-wise, I wanted to establish early on that the reader is in a sort of epic poem being written by the main character, Anisah, and so I specifically tried to reference the style of Beowulf and The Illiad—stories that generally start with the author calling the audience to attention (“Hwæt!”) or invoking a deity (“Sing in me, Muse,” the first line of Robert Fitzgerald’s translation of The Illiad, which I also cribbed for the title).
This month, Carrie Vaughn mourns watching movies in the theater. She also reviews Amazon’s new series, Upload.
I blame authors Phoebe Barton and Derek Künsken. One day on Twitter, they were discussing the various irregularities in English plurals: mouses in houses, oxen in boxen, and hooves on the rooves. With that phrase—hooves on the rooves—I caught the feel of the story all at once. Brilliantly cold midwinter, a deer stalking the night. I’m not sure why. It’s possible that hooves on the rooves made me think of reindeer and my subconscious took a Yuletide leap from there.
This month, LaShawn M. Wanak reviews Star Daughter, by Shveta Thakrar, Or What You Will, by Jo Walton, and Trouble the Saints, by Alaya Dawn Johnson.
The story is a pseudo-sequel to a story I published back in 2010 in Interzone called “Saving Diego” about two estranged friends who meet on Gilder Nefan after a decade of being apart. I’ve always loved that setting and have wished to go back to it forever. Also, at the time I wrote “Still You Linger,” I’d been reading a lot of Carl Jung, specifically his book Man and His Symbols, which explores in great detail the symbology of dream imagery and the collective unconscious.
Be sure to check out the editorial for a discussion of this month’s content, and all our news.
Before having kids, I expected to love them. I did not expect that love to be so cataclysmic and terrible. I did not realize the universe would hand me a door to the meaning of life in the shape of a little person, or that invisible golden wires would extend from her every twitch and blink and pierce my skin and burrow into my core. Before I had Aviva, the worst the universe could do was kill me, and it was planning to get around to that eventually anyway.