Nonfiction
Book Reviews: May 2020
This month, LaShawn M. Wanak reviews Corry L. Lee’s new novel, Weave the Lightning, Laura Lam’s Goldilocks, and Bethany C. Morrow’s A Song Below Water.
This month, LaShawn M. Wanak reviews Corry L. Lee’s new novel, Weave the Lightning, Laura Lam’s Goldilocks, and Bethany C. Morrow’s A Song Below Water.
The first image I had was of a person being so inflamed by her uncontrollable emotions that she literally burns to death—but also comes back to life. The last part is important because it symbolizes the cyclical nature of life: some days are good, other days are bad; the tide goes out, but it always comes back in; a phoenix dies, but gets reborn. In the same way, it’s so easy to get lost in the heat of an intense emotion and think we’ll always feel this way.
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At its heart, this is a genie story. This is the story of the guy who asks a magical figure for a wish and does not get precisely what he asks for. The great power he asked could have been a wizard or a demon, with little rewriting necessary. The story actually began with the anecdote told in its middle about the time traveler commissioning Shakespeare for a love sonnet, and could have been just that, but I wrapped another story around it.
Katie M. Flynn is a writer, editor, and educator based in San Francisco. Her short fiction has appeared in Colorado Review, Indiana Review, The Masters Review, Ninth Letter, Tin House, Witness Magazine, and many other publications. Katie has been awarded the Colorado Review’s Nelligan Prize for Short Fiction, a fellowship from the San Francisco Writers’ Grotto, and the Steinbeck Fellowship in Creative Writing.
“Witch” can mean so many different things. For me, in this story, it embodies a woman who has defied the patriarchal order, and escaped the social and religious strictures that she was born into, to become a person of power and knowledge. She sees the hypocrisy of her family, and the cruelty of the religious right, and disowns them. There is always a price to pay for such things. Not everyone can be saved. And sometimes, the only way to save yourself is letting go of everything else.
Christopher East reviews AMC’s quirky series Lodge 49.
I remember first seeing the trailer for Detective Pikachu and feeling like it was a sign that we’d reached a new stage of what my friend Jay Springett calls “cultural fracking”—the capitalist process of endlessly extracting new value out of the sedimentary layers of meaning that comprise mass culture from the past. I wanted to jump ahead a few stages, to a future where this process had been mostly automated and was now just mashing together genres and franchises more or less at random.
This month Chris Kluwe takes a break from launching his new novel to review some books for us. Find out what he thinks about Tamsyn Muir’s new novel Harrow The Ninth, Emily B. Martin’s Sunshield, and A Pale Light in The Black by K.B. Wagers.
The title came to me first and I envisioned a woman inserting her toes into the bottle openings and dancing on them like a ballerina on toe shoes. That got a little complicated, so I changed it to her rolling on the bottles. The roaches came into the story because she was practicing in the yard and they would naturally be out at night. I had to do research on roaches, look at pictures of them, because I wanted the readers to like Treevia and Oswald so I had to like them too.