Editorial
Editorial: December 2020
Be sure to read the Editorial for a run-down of this month’s content and to get all our news and updates.
Be sure to read the Editorial for a run-down of this month’s content and to get all our news and updates.
I was thinking about the spaces that characters and advertising mascots occupy in our dreams. They’re recurring figures alongside our friends and relatives. I don’t believe that we’ve lost something or whatever because Luke Skywalker shows up instead of a Jungian hermit. That’s what happens when we tell stories in visual media (and when certain companies figure out the best way to your wallet is through your imagination). But I think it’s easy for our brains to grab these characters and mascots and throw them in the mix as a mentor or an enemy.
Usman T. Malik is a Pakistani-American writer and doctor. His fiction has been reprinted in several years’ best anthologies, including the Best American Science Fiction & Fantasy series, and has been nominated for the World Fantasy Award, the Million Writers Award, and twice for the Nebula. He has won the Bram Stoker and the British Fantasy Awards. He is a co-founder of the Salam Award for Imaginative Fiction, which seeks to nurture science fiction writers of Pakistani origin. Usman’s debut collection, Midnight Doorways: Fables from Pakistan, has garnered praise from writers such as Aamer Hussein, Brian Evenson, Joe Hill, Paul Tremblay, and Man Booker finalist Karen Joy Fowler. The book will be out in early 2021.
I love fairy tales and folk tales. I particularly love seeing how they intersect. Go back far enough, and you begin to see how multiple versions of a story spread over time, like tributaries flowing out of a single source. Some fairy tales are thousands of years old. We tell and re-tell them. Languages split from their roots and evolve. Wolves become bears become tigers. The monkey wife becomes a dog bride becomes a mouse maiden. Stories don’t stay the same, and they don’t just entertain and instruct.
This month, special guest reviewer Lisa Nohealani Morton reviews Syfy’s tv show Vagrant Queen.
It’s so interesting to me that you see that link to Mnemosyne in the story, and I love that you do. I often draw on myth in my work, but this time, I didn’t—at least not consciously. My conscious inspiration was the word “lachrymist” itself. It crossed my path on Twitter as an entry on unusual words (I love words and I follow multiple dictionaries). I was so taken with the definition that I decided to see if I could write a story about a lachrymist.
This month, LaShawn M. Wanak reviews a selection of new novels just perfect for snuggling up with on a chilly fall day: When the Tiger Came Down the Mountain, by Nghi Vo; Nucleation, by Kimberly Unger; and The Fires of Vengeance by Evan Winter.
Be sure to check out the editorial for a rundown of this month’s content, and for all our updates.
This all started with the title itself. I was trying to come up with a title with a little more whimsy for my upcoming novel The Apocalypse Seven, when I thought of “Schrödinger’s Catastrophe.” It was entirely too whimsical, but I thought it was clever enough to mention it to my editor (John Joseph Adams). He agreed that it wasn’t right for TA7 but then threw me a curve by suggesting it would work really as the title of a short story. My first reaction was, cool idea but I don’t write short stories. A day later, I had the entire plot in my head.
C.L. Polk is the World Fantasy Award-winning author of the critically acclaimed debut novel Witchmark, which was also nominated for the Nebula, Locus, Aurora, and Lambda Literary Awards. It was named one of the best books of 2018 according to NPR, Publishers Weekly, BuzzFeed, the Chicago Review, BookPage, and the B&N Sci-Fi and Fantasy Blog. Her newest novel, The Midnight Bargain, is upcoming in 2020 from Erehwon Books. She lives in Alberta, Canada.