Nonfiction
Book Reviews: August 2019
This month, LaShawn peeks at letters in This is How You Lose the Time War, gets steamy in Pimp My Airship, and enjoys a heaping serving of revenge in The Rage of Dragons.
This month, LaShawn peeks at letters in This is How You Lose the Time War, gets steamy in Pimp My Airship, and enjoys a heaping serving of revenge in The Rage of Dragons.
“The Final Blow” is the first-ever story in my “The Gods Have Gone” universe. As a fan of fantasy, I’ve always wanted to create a fantasy setting where there is no metal. Development of metal opens up the inevitability of advanced technical development, so what kind of stories could be told in a setting without metal? I’ve played with this concept in my “New World” mythos, which consists of two stories (“Victim with a Capital V” and “Throwdown,” which are in the anthologies Unfettered II and Unfettered III, respectively). Those stories are set in our world, but one set 2,000 years after bioengineered bacteria destroy all metal.
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The inspiration for the spider drones came from the artist Louise Bourgeois, who did a series of spider sculptures in bronze and steel. Her spiders are terrifying, dynamic and futuristic. They are inert but very much alive and the experience of viewing them at SFMOMA changed me. The spider, to me, is industrious and beautiful. From a biomechanics perspective, there is no piece of man-made technology that approaches its sophistication. I imagine the singularity as occurring in a place where nature and technology are indistinguishable.
Born in England to South American parents, Evan Winter was raised in Africa near the historical territory of his Xhosa ancestors. Evan has always loved fantasy novels, but when his son was born, he realized that there weren’t many epic fantasy novels featuring characters who looked like him. So, before he ran out of time, he started writing them.
Asking a child of immigrants about the immigrant experience is a loaded question! I’ll say that this story was written at a time when I was interested in the out-of-body experiences that people have in their own bodies every day. I think sometimes, when people leave home behind, they make promises about what they’ll preserve and how they’ll pass on that inheritance to their kids, their grandkids. I wanted Ahura Yazda to have made those kinds of promises to himself. And as his kids start to grow, I wanted him to ask, Can I really keep these promises? Is that really going to happen?
Carrie Vaughn reviews a film about one of fantasy fiction’s greatest contributors: J.R.R. Tolkien.
I’ve had this image in my head for a long time—two old friends, moon colonists and blue-collar workers, whacking golf balls off a lunar escarpment and jawing about the first time anyone (Alan Shepard, Apollo Astronaut) ever teed off on the moon. I’m not particularly a golf fan, but the image was so compelling I was determined to build a story around it. The second inspiration was decidedly less fun—the heart-wrenching experience of watching my mother-in-law slowly decline with dementia over a period of about fifteen years.
This month, Chris Kluwe reviews books about family: Claiming T-Mo, by Eugen Bacon, and Escaping Exodus, by Nicky Drayden.
I have a word quota, best described as, “If I get 1000 words down, I did not fail today.” I try to get substantially more done, and when zooming along on a project that’s going well, I manage two or three or four times that much. In practice, this does not mean I produce the equivalent amount in publishable fiction, as a substantial number of stories trail off and must be abandoned, and some, inevitably, don’t find anybody who loves them.