Editorial
Editorial: October 2025
Be sure to check out the editorial for a rundown of this month’s great content.
Be sure to check out the editorial for a rundown of this month’s great content.
Space is such a fertile ground for interesting world-building, and I thought this idea of characters living in asteroids to be a fascinating and also somewhat plausible world-building tool. I didn’t think so much of where to place them, so much as I knew where they would be based on the kind of people they are. I always think character first, and everything is in service to that.
I wrote the bulk of the first draft while I was on a cruise ship and experiencing the deep ennui that comes from being on a cruise ship. So that’s intrinsically buried deep in the DNA of this narrative in many mysterious and arcane ways. The second piece of inspiration is that a couple of years ago, on social media, I had seen an image of a mermaid in a bathtub with a bunch of tally marks written on the wall, and that painting really struck me. It’s always fun to take things seriously, and I started thinking about the sequence of events that might lead a person to keep a mermaid in a bathtub against its will, and the logistical challenges of essentially having both some guy in your house, and also a big goldfish.
If you immediately understand this phrase, and you get it on an emotional level, then these stories will probably speak to you in ways that they might not otherwise.
I wrote “The Girlfriend Experience” while attending Clarion West last year. I masochistically put my hand up for Monday critiques, so it was one of the stories in our very first day of workshops. In retrospect, it might’ve been a subconscious litmus test to find out which of my classmates were prudes. (As it turns out, none of them; Clarion West Class of 2024 is wall-to-wall perverts, and I could not be happier.)
If you’re looking for a quick, absorbing read with a lot more depth than you’d expect from a novelette, check out Novic by Eugen Bacon.
When I sat down to write “Apeiron” I had a decent sense of what I wanted it to be. A lot of the thinking about the story happened off the page, over years. I knew I wanted it to feel like a fable, but with more modern elements. I knew I wanted to expand on creation myths and delve into the psychology of gods. I knew I wanted it to be dreamy. What form all of that would take was the part I was least sure about. I figured I would work that out as I went.
We’re supposed to take care of one another, empower and uplift one another, hold one another accountable, show interest in one another’s histories, present experiences and dreams for the future, keep the home we share safe and clean for all of us who live here now and will live here in the future.
Feeling contemplative or in the mood for something poignant? Chris Kluwe recommends Lost Souls Meet Under a Full Moon by Mizuki Tsujimura and translated by Yuki Teijima.
Be sure to read the editorial for a rundown of this month’s great fiction.